
spring 2025


Table of Contents
1
10) Manic Traffic (I-5 Crash Edition)
11) White Train, Pink Train, Green Train
12) Train
14) We the People
15) Milk Tea
16) Star Trek and Filipino food and Dad
17) Purple Skylight
2
20) Trivecto
21) Bus/Man and Man’s Best Friend
22) Perceptions
23) Waving
24) Gilded
25) Light Speed
26) Everything
3


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ACT I
Radio Monte-Carlo
Poetry
Zoë Edeskuty (She/Her)


Blue Moon
Carsen Otto (He/Him)
Film Photography

Scotch M!st
Poetry
Zoë Edeskuty (She/Her)


Poetry
Sarah Pangan (She/Her)
Doing Time

A Young Go Getter
Poetry
Shelly Netz (She/Her)












Prose
Sophia Vernon (She/Her)
Dread


Invisible Smoke
Poetry
Izzy Painter (She/Her)




Soul of My Soul
Digital Photography
Zoë Edeskuty (She/Her)

Witness Testimony
Poetry
Sage McCarty (She/Her)

It’s a great feeling, I know, when
I can’t put it into words.
It’s a great scene, you hear, when
A three-eyed devil with ivory horns
And an industrial accident in rural
Oklahoma make a fire in my eyes,—
It’s too slow!—and cause the sun to swirl
Around in my mind—too slow!—as I fall
With the leaves every few months like papers
Scattered up and down this muddied hall
In this too-long house in rural Oklahoma.
I’ve seen this attic, and this house, from the outside, once:
The whole building is lined with rust-red wooden siding,
The wood’s existence threatened by a climate of
Dust storms and sunbeams
That blemish and bleach
This rust-red, too-long house,
Filled with Old World furniture and New World fears,
Built on a foundation of bone-pale dirt
That clings to your shoes when it mixes with your sweat.
My chest hurts. The perfect woman, he said,
Is a woman who, with every word, turns her head,
Wishing, hoping, that someone is watching,
But he never said anything about the force
Of her own will.
My chest still feels like it’s bleeding.
I turned. I thought I heard a noise, outside or inside
Of this too-long house in rural Oklahoma, the
Stomp of the hooves or the storm of the creaks
From the attic I’ve never been in.
The feeling I get from these
Sounds, no idea, I can’t really say.
Sure, it’s a pain in my chest, or on my chest,
Or spreading through the middle layer of
My skin—too slow!—but that doesn’t
Get at all at the nature of it, or how I
Feel about the feeling, as it and
My feeling about it are one and the same.
That might not make sense.
Has it all deteriorated? Has it all fallen
Apart, like the house will, someday,
When a tornado finally tears it from the ground,
Severing it from its bone-pale deathbed? Is this what he
Also said about women, about the perfect
Woman, the perfect wife, because what’s the
Difference to a nineteenth-century prefect who idled
About idols until he petered out?
That might not make sense, either.
I heard the sounds for so long but I never knew
That she’s a woman. I heard them forwards
And backwards and sideways but I never knew
Her gender. Doesn’t that say something? But
The feeling in my chest still moves around regardless.
It’s a great feeling, I know, when
I can’t put it into words.








ACT II
Manic Traffic (I-5 Crash Edition)

Audio Composition
Fish Young (They/Them)
we invite you to play the music through the next section of visual pieces



Film Photography by Carsen Otto (He/Him)

White Train
Pink Train




Green Train




Train

Film Photography
by Carsen Otto (He/Him)

Running From Cops
Poetry
By Guillermo Orozco (He/Him)


We the People
Poetry
Sarah Pangan (She/Her)



Milk Tea
Cross-genre
Jasmine Flanders (She/Her)




Star Trek and Filipino food and Dad
Short Story/Cross-genre
By Jasmine Flanders
There’s a galaxy out there, and it’s rapidly approaching. Did you know it’s because of WWIII that Star Trek came to be? It was only after nuclear war and losing about 30% of the human population that we finally got it together and decided to take our human bullshit to space. We had to destroy everything and everyone to reach Utopia.
Or so Captain Picard tells me while I gorge on three rolls of fluffy buttered pandesal, several
helpings of my Nana’s pancit, and my Dad’s chicken adobo with just the right amount of kick to it. My Dad comments that he wants to captain the USS Enterprise, and I tell him that he looks like Filipino Picard. They’ve got the same bald head and nose. Just make Picard brown and they’d be identical. He laughs at that before continuing his doom scroll on Instagram Reels. I’d be offended if we hadn’t seen this movie, and the rest of the Star Trek franchise, a bajillion times.
It’s two days after Thanksgiving, the one time a year we eat the food of our ancestors, and pretend to be different from all those white families eating stuffing and green beans. Every year my family gathers to down lumpia after lumpia, like how the theatre kids down vodka shots at cast parties and pretend to be cool with sweet and sour sauce as our chaser. Similar to those loser-filled parties, my family events are a liminal space, where my cousins and I feel a sense of belonging in a world that doesn’t recognize us. You thought first-gen mixed-race stories were good examples of identity crises? Try having both your parents
be mixed-race.
Let’s just say that my Mom’s idea of an “Asian night” is our homemade “Korean chicken” (from
a Google recipe) with Trader Joe’s frozen pajeon and tteokbokki. Yeah, we’re super authentic up here. My cousins and I were destined to have an identity crisis at least once a year. This, and his pretty hot actor, are probably why Spock is my favorite Star Trek character. He’s half Vulcan and half human. The poor guy spends his entire life trying to live up to his Vulcan father’s expectations, while also attempting to connect
with his human colleagues. His character growth and eventual self-acceptance are truly inspiring. He is the poster child for all wasians trying to gain diversity points in their college essays. My college counselor told me that race stories are overdone, and I should write about something different, which may be true, but that coming from a white man was sorta jarring.
Anyway, this problematic holiday is my favorite time of year, partially because I get to see my
dog after being away at college, but mostly because I get to eat five lumpia within the span of a few minutes without judgment. This is true bliss. The biggest reason, though, is that there's been enough time between my Dad and I’s last Star Trek rewatch, so we can begin the thirteen-film franchise again, much to my Mom’s displeasure.
The Alternate Original Series (2009-2016) is our favorite set of films, the ones with Chris Pine,
Zachary Quinto, and Karl Urban. This is a controversial take, I think, but the Star Trek fandom is too small right now to have any kind of consensus. It’s our Star Trek, though. I grew up watching this timeline, and its action-movie feel has a greater appeal to my Dad. I think the older movies remind him too much of my grandfather for those to be a casual watch anyway.
Right now, we’re watching Star Trek: First Contact (1996), which is based on The Next
Generation, the Star Trek that my Dad grew up watching with his dad. It’s got everything you could ever need, Patrick Stewart and a sexy android. Like all Star Trek media, The Next Generation aims to remind
the viewers that maybe, just maybe, everything doesn’t really fucking suck. Like, maybe hope is still out there, and really, if all fails, we can just spread our problems to the rest of the universe and give Miss Mother Earth a breather. The solution to all our problems? Space colonization! But in a non-colonizer way, don’t worry, I promise it’s totally chill, not weird... Most of the time.
And honestly, when I’m lying wide awake at night, staring up at my shitty glow-in-the-dark star
stickers, worried sick that my mom’s mother country, North Korea, is going to nuke us at any moment, I think of how maybe some Vulcans will head down to Earth and be like, “Hey, y’all. Saw you got some nifty technology, why don’t you come space adventuring with us?” They’ll hold up the Vulcan salute and say, “Live long and prosper. TTYL.” And then my Dad can captain a real starship instead of making really annoying space noises when we drive his Ford truck to the farmer’s market on Saturday mornings.
Or maybe, Kim Jong Un will just kill us. At least I’ll find out if my great-uncle’s sermons were
deadass or not and if the heartburn I felt during Christian camp was Jesus entering my soul or just my body reacting to the questionable veggie burger I ate an hour prior to mass.
And so, despite Earth’s strikingly bleak-looking future, Star Trek reminds us all that we can
persevere through anything, and that deep down, there’s humanity inside every being, from humans to Vulcans to Klingons. No matter what, no matter what crazy situation the crew of the USS Enterprise lands themselves in, it's their love and hope for humanity and each other that bring them home safe. That and some really cool photon torpedoes. Shit on the power of friendship all you want, but at the end of the day, it’s the people around you that truly matter. When I’m crying, alone in my moldy college dorm, all I have
to do is put on Star Trek: Beyond to feel safe and at home as I’m immersed in a world filled with
adventures and characters I love. A beautiful world that’s inspired by the very one I’m living in. I feel like I’m in that starship with them, exploring the final frontier.
I could get into the gritty details and be all, well Kirk taught me to be brave and Bones taught me
how to be the right amount of asshole to my friends, but that’s boring. So, I’ll just tell you about my Dad. Star Trek impacted his character so much that he is a woke Republican. Yep, that’s right. Gay people? Sure, why not? Abortions? Bring them on! Racism? Nah. Star Trek is the train to Woke City. Hop on, people! I mean this is the fandom that aided the spread of fanfiction and ABO along with our brothers and sisters in Christ, the Supernatural fandom. You can thank Spock for going into heat in 1967 for that.
However, despite our many rewatches, I’m still unsure what truly draws my Dad to Star Trek. He
was raised by a Christian preacher, he’s a Republican businessman, and he makes slightly problematic jokes (in the same fashion Bones makes fun of Spock’s ears). Still, I can see traces of Star Trek in the way my Dad always tries to better himself, despite being in his fifties, or how he holds himself to the same standards as those around him, all qualities very reminiscent of his white doppelganger, Picard. Maybe it’s because of the way Star Trek presents their “wokeness” as a normality, an impressive feat for the 1960s.
He never even had the chance to be scared away by the leftist ideals perpetrating the franchise.
Sometimes I think if it weren’t for Star Trek, my Dad wouldn’t nearly be the same kind, loving
man he is now. I don’t think he’d have sat me down and told me that it’s okay if I’m not straight, and had the tact to sit and listen to me lie straight to his face and insist that I am. I don’t think I’d feel comfortable enough to be his blue-haired, liberal, creative writing major daughter if it weren’t for Star Trek’s message of acceptance. So, what draws him to Star Trek? I really don’t know, but I’m glad he loves it and that it’s ours. Maybe he likes the super sick starships or the silly phasers they use instead of guns. Or maybe, he likes it for the same reason as I do, because it's a reminder of home and of a father’s love.
Star Trek is an utter mess and a freak show, just like my mixed-race, politically divided family;
it’s perfect. Star Trek teaches people that there is no one way to be human, and most importantly, it taught my Dad that it’s okay to be bald. So, really, Star Trek gives me the hope to keep going. Despite being subjected to Orange County, living off of peanut butter sandwiches, the shrinking job market, and the fear my mother country could destroy us at any second, I can just look at my Dad and know, everything will turn out alright because if you’ve seen Star Trek, you know that these characters have shitty lives, but they’re still out there, adventuring in the stars.
So, let's “explore strange worlds” and “boldly go where no one has gone before” and all that junk. As long as there’s lumpia, I’ll be there.

Purple Skylight
Film Photography
by Carsen Otto (He/Him)


Mirtazapine, 15 mg tab
Poetry
Fish Young (They/Them)


I’ll know It when I see it
Digital Painting
Fish Young (They/Them)




Act 3 ---
Trivecto
Screenplay
Sydney Gillum (She/Her)



Bus

Film Photography
Carsen Otto (He/Him)
Man and Man's Best Friend

Bus

Perceptions
Poetry
Mikayla Maeshiro (She/Her)







Waving

Digital Collage
Anika Yip (She/Her)





Poetry
Mikayla Maeshiro (She/Her)
Gilded




Light Speed
Film Photography
Carsen Otto (He/Him)

Everything
Poetry
Sydney Chung (She/Her)



























Contributors
Anika Yip (she/her) is a sophomore Creative Writing major. You can find more of her work @theglassyworld on Instagram, TikTok, and YouTube.
Carsen Otto (he/him) is a senior Creative Writing major at Chapman University. He enjoys screenwriting and photographing on the side. When he’s not writing he’s either on film sets acting or operating a boom mic.
Fish Young (they/them) is a sci-fi comedy writer, comic artist, and fiction podcast producer. They also work in sound design and music production. For more information visit Instagram @fisheyeyoung.
Guillermo Orozco (he/him), is a senior creative writing major at Chapman and a proud first-gen Mexican-American. This guy always dreamed and wrote stories since he was young. First he wrote stories on paper in prose in high-school, and now he dreams to write them for the big silver screen.
Izzy Painter (she/her) is a sophomore Creative Writing Major from Los Angeles. She's working on many exciting writing projects right now and hopes you enjoy reading her work!
Jasmine Flanders (she/her) is a sophomore Creative Writing and Technical Theatre double major from Monterey, CA. She loves coffee and dying her hair.
Mikayla Maeshiro (she/her) is a third-year creative writing student. She grew up in Kaneohe, Oahu, and has always found joy in fiction writing, and recently has dived into the realm of poetry. Besides writing, she enjoys baking and making new syrups for her matcha lattes.
Sage McCarty (she/her) is a junior at Chapman University who is pursuing a double major in Peace Studies and Political Science. She is a member of the University Honors Program, and she likes to write poetry. Her website for her writing and projects is smm-academic.neocities.org
Sarah Pangan (she/her) is a sophomore Psychology major while double-minoring in Philosophy and Ethnic Studies. She loves to write poetry and make graphic designs of her work. You can view her work on her writing social media platform via Instagram: @litbysrah
Shelly Netz (she/her) is a dedicated Graphic Design major from Seattle, also studying Human-Computer Interaction. She’s especially interested in the intersection of how people think and how they interact with technology. Outside of her studies, she loves to draw (especially with colored pencils), swim, scrapbook, and create unnecessarily elaborate gifts for her friends.
Sophia Vernon (she/her) is a sophomore obsessed with the human lived experience and desperate to make even one person feel seen. Her work attempts to capture all the poetic beauty of life with a limited language (she will fail).
Sydney Chung (she/her) is a junior Environmental Science & Policy major who loves going outdoors and enjoying the beauties of nature.
Sydney Gillum (she/her) is a sophomore Screenwriting major from St.Louis. She likes writing comedies and talks to herself a lot to figure out dialogue ideas.
Zoë Edeskuty (she/her) is a writer drawn to the existential and the surreal, making quiet mischief of perception and the evanescent charms of this cosmic time within her work. She serves as Editor-in-Chief of The Underground Experimental Art and Literary Journal.
Special thank you to our teams of editors for helping curate and refine works:
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Visual:
Anika Kumar
Anika Yip
Beck Schultheis
Natalie Pincus
Sarah Pangan
Veronica Lentz
Zoe Luczaj
Written:
Angie Barrios Mackepeace
Anika Yip
Britney Henderson
Hannah Van Der Kamp
Sarah Hart
Sophie Vernon
Taylor Love
Tyler Edwards
Sofia Kalín
Zoë Edeskuty
Audio:
Anika Yip
CJ Prat
Taylor Love
Sarah Pangan
Zoë Edeskuty
